The former is preferred as it will include the dot gain etc. The RIP then knows what it is aiming at and either takes the 1bit tiff file from the press RIP and uses it to reproduce the simulation, or takes a standard postscript file and applies various settings that are also set on the press to make the simulation. Thus it requires the press to be set up to a standard (such as SNAP). I may have misunderstood you and If so forgive me, but I am not sure you need a proofing RIP.Ī proofing RIP is designed to provide a simulation of the output of a press so that you can check for problems before running the job on the press. They are the market leaders and are both superior to the others mentioned in your original post. However, I would suggest you look at my competition - EFI and GMG Color - for specialist proofing. I run tech support for a production RIP which also does a good job of proofing. Used on the 7600 or 9600 it delivers great proofs and can always beĪdded to the "workflow" software available from Compose later Make a final proof for the other 2 colors. The "Starproof" software can make a proof with only those 2Ĭolors.that way your pressman knows what run to.then you can Of paper being used.or some for your best client that maybe likesĪlso you can make "Progressive" proofs.say you only have a 2Ĭolor press and your first 2 inks down are Cyan and Magenta.then YouĬan make as many profiles as you want.some for different stocks Profile to match that press.including dot gain and color. reads your printed sheet and builds a proof Standards regarding ink densities and how you like your printing to Run these files / plates on your presses and print to your shops "proofs"īasically you output some files from Compose (to film or CTP).you it creates a true dot.simalar to the dotįound on the is easy to use and to set up. Reputation in the USA but is unheard of in Europe.Īny light on the matter will be appreciated.įrom a strictly offset repro world I really like the "STARPROOF" ProofMaster by Perfect Proof - Color Burst is getting a good I've had a look at BEST, Color Burst Rip, iProof systems, To riping solutions that it can very confusing. The epson printers themselves could be the 3000, 4000, 2200, 7600, Working in the repro, print or graphics design industries. Solutions for accurate colour proofing ? Maybe from individuals RIP SOFTWARE FOR EPSON STYLUS COLOR 3000 PROKnowledge on all the pro postscript level-3 riping software Just wondering whether anyone out there has any good experience or Used on the 7600 or 9600 it delivers great proofs and can always be added to the "workflow" software available from Compose later on. You can make as many profiles as you want.some for different stocks of paper being used.or some for your best client that maybe likes a more puncy sheet off the press.etcĪlso you can make "Progressive" proofs.say you only have a 2 color press and your first 2 inks down are Cyan and Magenta.then the "Starproof" software can make a proof with only those 2 colors.that way your pressman knows what run to.then you can make a final proof for the other 2 colors. "proofs" that match your presses.īasically you output some files from Compose (to film or CTP).you run these files / plates on your presses and print to your shops standards regarding ink densities and how you like your printing to reads your printed sheet and builds a proof profile to match that press.including dot gain and color. it creates a true dot.simalar to the dot found on the is easy to use and to set up. From a strictly offset repro world I really like the "STARPROOF" Rip From Compose.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |